Archive for the ‘Journal’ Category

The Transfiguration of the Commonplace – chapter two

PakistaniGreetingsBORDER CRISIS
The state of Texas is at the frontline of America’s recent obsession with border security. Some call it a crisis. Others call our response to the situation the crisis. From where I sit at Barbarossa Coffee about 365 miles from nearest border crossing, the idea of crossing international borders still seems abstract.

Most international borders have remained invisible to me. At the age of 47, I’ve now crossed 26 unique international borders. Those border crossings have almost always happened inside an airport while moving from the “international zone” of duty free shops and harried commuters through a customs and immigration terminal into the “real world” of whatever country I was visiting. I flew across an imaginary line in the sky and was then officially “recognized” as a visitor to this new country by a booth-dwelling government employee.

I’ve drifted on a ferry across the invisible barrier between Asia and Europe around the Golden Horn of Instanbul, Turkey. I’ve herded a van load of anxious teenagers through a chain-link gate from Botswana into South Africa. When the immigration agent at the San Ysidro border crossing from Southern California into Mexico asked, “Citizenship?” I responded with an enthusiastic “yes!” and was mocked relentlessly by the friends with me in the car.

Most of the borders that exist in our world have been drawn as a negotiation made by some group of old men sitting around a table. “This is mine. That is yours.” Perhaps no such division is more bold than the line drawn in 1947 between India and Pakistan. This “partition” of the Indian state of Punjab into a new Muslim-majority nation resulted in the displacement of at least 14 million people and the death of anywhere between 200,000 and 2,000,000 people. To this day, the border crossing between Pakistan and India is dramatic display of unneighborly dissension.

RooftopChurchA few years ago, I was invited to train church leaders in Faisalabad, Pakistan and Kakinada, India. Because these countries are next door to one another, it seemed completely reasonable that both requests could be honored in a single trip. However, because of the tension that has remained at the boiling point for the last 72 years, no flights are allowed to enter India directly from Pakistan so my friend and I decided to…hoof it.

After a week of training church leaders in Eastern Pakistan we were sardined into mini-van with 9 of our new friends for the 3 hour drive to the border. Our hosts knew that if we were visible through the windows of the van not only might we personally be at risk, but they and their continuing work in Pakistan might be at risk so we sat knees-to-chest on the floor of the van for most of the drive. A quarter of a mile from the Wagah border crossing in Lahore, Pakistan we extricated ourselves and our bags from the overpacked mini-van and began the walk toward Amritsar, India.

wagah faceoffThe Wagah border crossing is a melodrama of national pride and relational tension. At sunset every day, guards from both countries put on a spectacle of nationalist fervor for crowds of residents who gather to cheer and stoke the fires of ethnic and religious dissension. I’ve since watched videos of this ceremonialized face off. I’ve wished I had witnessed the ceremony in the same way one might crane their head to take in the gory details of a car accident. But THAT day I hoped to be nothing but a shadow. My friend and I aimed to be inconspicuous extras disappearing into the background of the scene.

Though we walked in front of the stands that line the road on either side of the border, our mid-day crossing was witnessed by almost no one. The power was out on the Pakistani side of the border so the guards could not verify our identities or our itineraries. They spoke almost no English and I spoke almost no Urdu. They simply dug through our bags, side-eyeing us suspiciously, and allowed us to pass.

tuktuksWe walked the hundred yards of no-mans-land between the 2 countries, through a turnstile gate and into the well-lit and air-conditioned Indian immigration and customs center at Amritsar. By this point, the combination of a final celebratory meal in Faisalabad of bone marrow soup, motion-sickness from the van ride, heat, and anxiety left me feeling (and looking) extremely green. We were allowed to pass without even slowing down and were soon in a tuktuk headed toward the Guru Ram Dess Ji International airport.

After a week on India’s southeastern coast in Kakinada we returned exhausted to the United States. After all of the tension of the Wagah border crossing from Pakistan, it was actually this final leg of the journey that proved the most contentious. Traveling to Pakistan was frowned upon by the US government in those days and my friend and I were quarantined and interrogated separately by US border patrol agents. While in both Pakistan and India, I felt the need to be…vague…about my work with Christian pastors. With US customs agents however I felt completely comfortable explaining the full nature of our trip. They weren’t buying it.

During the interview I was asked multiple times whether we had crossed into Afghanistan. Finally after recounting every boring detail of our time in Faisalabad, the agent added the question, “now was all of this before or after you crossed into Afghanistan?” He thought he might sneak one last trick question into my interview. I wanted to roll my eyes and crack a joke but just as I opened my mouth with a snarky reply, the better angel of my nature nudged me and I slowly repeated “we never even came close to the Afghanistan border.” Even after my wide-open honesty about our itinerary I was put on a watchlist and for several years received a side trip for “secondary screening” at every TSA station I entered. In the United States we take the crossing of borders very seriously.

Jesus was constantly crossing borders: ethnic and gender borders, religious and social borders. The guardians of the rules were often offended by Jesus’ disregard for the borders they worked so hard to both create and maintain. Catching Jesus crossing one of their regulatory borders was not difficult. The gospels record Jesus’ holy border crossings again and again. The biblical record reflects an outward spinning of the gospel that has transcended every boundary it has faced in all the world. There is much that divides us globally but the centrifugal force of the Kingdom of God seems to not even notice these imaginary borders we use to define what is mine and what is theirs.

Faisalabad CrowdAre there imaginary borders that you have drawn around your life? Have you built some “us and them” boundary lines to protect yourself? Borders of race, gender, religion, nationality, relationship? Perhaps, a boundary that you thought was protecting you is actually hurting you. A Kingdom adventure might be waiting for you just beyond that imaginary border. The gospel is constantly propelling us outward with the only clear destination being that people of every tribe and tongue, ALL people, might someday hear and know that Yahweh is the Lord and there is no other. Step with confidence through the border of self-protection and you will find just on the other side, The Guide has been waiting to lead you into His revolutionary love-story.

Cantatio Divina

Over the last 5 years, I’ve frequently used a practice of “sacred singing” that I’ve called Cantatio Divina with various groups of worship-focussed songwriters. Below is an explanation of the idea, its historical and biblical foundations and some tips for leading this practice in your own context.

Old-Piano-HD-Wallpaper-1“Do we read the Bible for information about God and salvation, for principles and ‘truths’ that we can use to live better? Or do we read it in order to listen to God and respond in prayer and obedience?” – Eugene Peterson in Eat This Book.

Lectio Divina (or sacred reading) as a Benedictine practice saw scripture not simply as a book to study but as a place to meet with a living God, believing the presence of God could be experienced through meditating on the Word of God. Lectio provides the prayerful student of God’s Word a powerful path to follow in praying the scriptures. In the practice of Lectio Divina, one moves through 4 stages – lectio (reading the Word), meditatio (meditation on the Word), oratio (praying the Word), and contemplatio (contemplating the Word). That final stage of contemplation is not simply “thinking about the word” but a centered union with the Word Himself, bringing the heart and the mind into resting in the presence of God. This movement might be viewed as a kind of labyrinth for the soul, encouraging the reader ever-inward toward a deeper union with God through a prayerful reading of God’s Word.

Similarly, Cantatio Divina (or sacred singing) is a practice that can provide us a place to encounter God through singing God’s Word. Cantatio as a group practice anchors our spontaneous singing or prophetic singing in the Word of God or quite literally in the words of God. In Ephesians 5:18-21, the apostle Paul instructs the church at Ephesus that the filling of the Holy Spirit is supposed to result in us speaking and singing psalms, hymns, and spiritual songs to one another. In a parallel comment to the church at Colossae, Paul suggests that these spiritual songs cause the word of Christ to “dwell richly” in us. Our thankful singing gives life the word of God in our hearts (Col 3:16). To the church at Corinth, Paul gives specific instructions about prophecy in worship and even specifically guidelines for the practice of spiritual or prophetic singing. “I will sing praise with my spirit, but I will sing with my mind also. Otherwise, if you give thanks with your spirit, how can anyone in the position of an outsider say “Amen” to your thanksgiving when he does not know what you are saying?” (1 Corinthians 14:15-16, ESV). Sacred singing is certainly a biblical practice but must be practiced in a way that leads to understanding – to the word of Christ dwelling richly in us.

CANTATIODIVINASimilar to the pattern the Desert Fathers established for Lectio Divina, Cantatio Divina has four distinct movements: Inquisitio (searching the Word), Lectio (reading the Word), Cantatio (singing the Word), Concentio (choral agreement with the group). Participants move in and out of these four stages freely, sometimes searching the scriptures, sometimes joining the singing of another group member, sometimes reading scripture allowed, and sometimes spontaneously singing the word of God that has been read or singing their own prayerful response to either what they have read aloud or what they have heard read aloud. While the goal of Lectio Divina is centered oneness with God, Cantatio Divina moves the participants toward a communal harmony with each other and with The Melody, Himself. Once a time of Cantatio Divina has begun, there is no need to follow a specific order of these four movements. Participants may move freely from concentio back into the cantatio of their own heart’s response to God’s word. Or they might move from a time of lectio straight back into inquisitio and find another passage to read aloud before singing anything at all. Each participant is allowed to follow their own path into an experience of God’s presence through this uniquely musical interaction with God’s word.

I traditionally begin the practice of Cantatio Divina by identifying a specific aspect of God’s character on which the group will focus (ie. “search the psalms for evidence that God is sovereign”). Because God is diamond-like with infinite facets of beauty, any aspect of God’s nature can serve as a rich beginning point for this practice. Occasionally I will lead at least one familiar worship song as a beginning point for the time of sacred singing, inviting the group to enter into a spirit of thanksgiving and inquisitive expectation. Sometimes this initial time of singing eases the anxiety of those inexperienced in the practice of prophetic singing and gets the ear used to the sound of worship in the particular space where we have gathered.

As the musical leader of a time of Cantatio Divina, I will play a repeating pattern of chords on piano or guitar that might serve as a canvas on which our time together might take shape. Any key, any progression, and any tempo can work. Particular care should be taken to keep the repeating pattern consistent for the sake of the singers. I might change the chord progression, key, tempo, or key signature once or twice during the practice but only when the entire group is in a season of inquisitio or oratio. These occasional changes keep the time fresh and moving forward. Dynamically, the musical leader can and SHOULD respond to the singing of the group, rising and falling on the same tide as their sacred singing.

The practice normally includes some time of quiet music as the group members individually search the scriptures for passages that draw their attention (inquisitio). As some participants continue searching the scriptures, others might begin reading the Word of God allowed to the group (oratio). As the musical leader you might spur on their cantatio by singing your own simple “thank you Father,” or “hallelujah.” You might encourage their concentio by listening well to their singing and joining someone’s song even verbally encouraging the group to join in singing a particular word or phrase that you’ve heard someone vocalize.

bible-study-groupI usually end the practice of Cantatio Divina either be verbalizing a prayer of gratitude to God for the specific aspect of His character on which the group has been focussed or by unifying the group around another familiar song of worship.

I hope you find in the practice of Cantatio Divina the same rewards I have: a deeper love not simply for the word but for its Author, not simply for worship but for The Song, himself.

Year-End Albums List

2017 is rapidly setting and this twilight always causes me to reflect on the records that moved me over the last 12 months. I’m always torn what’s worth sharing because I so rarely return to the albums over and over. I listen to new music once or twice and move on to whatever is released next.

This year I’ve decided to include 2 lists. I will simply list some albums that grabbed me this year either because of their excellent song-craft or for the innovative production that inspired me to try some new things in the studio. I’m not including links in this list because I assume you either know how to find these are more realistically, you’ve found them already. Nothing crazy-surprising here. In no particular order:

  • Harry Styles – Harry Styles
  • Bleachers – Gone Now
  • Randy Newman – dark matter
  • Lana Del Ray – Lust for Life
  • Passenger – The Boy Who Cried Wolf
  • PJ Morton – Gumbo
  • John Mayer – The Search for Everything
  • Jay-Z – 4:44
  • Stu G - Beatitudes Project
  • Shawn Mendes – Illuminate

This next list is more vital to me. A bunch of my current and former students have released projects this year. The songwriting program in the Curb College of Entertainment and Music Business at Belmont University is truly unparalleled the world over. There is some genuinely BRILLIANT music in this list. I’m certain everyone will be able to find something that moves you on the playlist below. I have NOT included all of the singles that students have released or co-written for others. I’ve also excluded songs by students that graduated from our program before I got here. (it’s sad how many great songs you’ll miss because of this exclusion. My apologies for robbing you of great songs by Devin Dawson, The Rooftop Secret, LANY, Adison, Coin, Rand, Nilka, and Mitchell Rose). Merry Christmas. Happy New Year and happy listening.

Hey Worship Leader, What Do You Think You’re Doing?

Yes, I mean to literally ask, “what do you THINK you’re doing?” because I think it might actually be different than you’ve intended. What you’re accomplishing might be bigger than you ever expected. I want to lift your eyes to the Kingdom potential in every opportunity you’re given because leading worship is a high calling to a low position. There are at least three important things you’re doing when you step up to lead God’s children in worship.

You’re teaching theology – I hope this scares you a bit. I’ve been told by too many worship leaders, “I’m not a theologian. I’m just leading some songs.” That is a misunderstanding of the power of songs and an underestimation of your authority from the platform. In his book Knowing Scripture, R.C. Sproul writes, “No Christian can avoid theology. Every Christian is a theologian….The issue for Christians is not whether we are going to be theologians but whether we are going to be good theologians or bad ones.” In his book The Christ Centered Expositor, pastor Tony Merida reminds preachers that the songs we use in worship are “portable theology.” Your people will continue singing the truths of those songs throughout their week. The simple act of selecting which songs to use in a worship gathering teaches theology; having attended your church for a month, a year, or a decade, will your people have a balanced understanding of the character of God? Will they have rehearsed the gospel enough in the songs you’ve selected that they could explain its foundations to their friends? Choosing songs in a setlist based entirely on tempo and key signature is still a theological act. You might be accidentally teaching bad theology. Recognizing your role as a theologian means working with your pastor to carefully choose songs with lyrics that will help set the gospel ablaze in the hearts of your people. It means giving your people the tools to rehearse the gospel as they wander through their week.

You’re giving your congregation permission or an excuse – Every person who walks into your worship gathering is either looking for permission to bring God their worship or their looking for an excuse to check out and let you worship God for them. Are you offering them permission to set aside their inhibitions and declare the excellencies of a good God? Or are you blacking out the audience lights and turning your instruments up louder to give them an excuse not to participate. Recently at a sporting event I was cajoled by the guy next to me to chant along more enthusiastically with the cheers of the crowd. Can you imagine if God’s people did this in worship? But men say, “singing isn’t really my thing.” At least it’s not their thing in worship. Have you given them an excuse to check out or permission to sing out? Kenny Lamm, in a challenging blog post on his website, has made some guesses as to why people might not be singing in our worship services. Lamm posits, “Prior to the Reformation, worship was largely done for the people. The music was performed by professional musicians and sung in an unfamiliar language (Latin). The Reformation gave worship back to the people, including congregational singing which employed simple, attainable tunes with solid, scriptural lyrics in the language of the people. Worship once again became participatory.” Are we returning to a time where worship is performed for us by the rock stars we’ve hired to sing melodies the average musician can’t sing at volumes just loud enough that you can’t tell whether or not people are participating? I hope not. Instead of giving your people an excuse to become spectators, why not give them permission to bring God what ever they have to offer. Are you setting songs in the key signature that is best for your voice or best for theirs? What your people can offer God probably won’t be as professional as what you might bring on their behalf, but doesn’t the One Most High God deserve the praise of EVERY tongue? Let engagement and congregational participation become your first goals and give your people permission to worship the God who deserves no less.

You’re going into war – This one might not be a surprise to you. I’ve felt like I was going into battle almost every week as a worship leader. I must confess, I’ve been an angry worship leader for years now. I thought my battle was with the people in front of me. I’ve struggled to pull and even shame them into singing louder, being more expressive, more free. Treating worship as a war was the correct posture, I just picked the wrong enemy. Last year, I finally turned my anger toward the enemy who has been working harder than I ever have to make sure my people walked into worship feeling defeated, deflated, and distracted. If you could see how hard the enemy is working to keep your people from feeling set free in worship it would change every aspect of your worship preparation. Now every moment I spend practicing and preparing is an act of war. Every moment I spend praying over the lyrics of the songs we will sing, the scriptures we will read aloud, and the visuals our people will see – each choice is an arrow pointed at a real and active enemy. I am not some American Idol worship leader chasing compliments from my fans. I am a fierce defender of the hearts that God has entrusted to my care. I am a shepherd and the songs I lead every week are the sling and stones I will use to defend the flock against a vicious enemy. I will stand with the great worship leader David and declare to the enemy, “You come against me with a dagger, spear, and sword, but I come against you in the name of Yahweh of Hosts, the God of Israel’s armies—you have defied Him. Today, the Lord will hand you over to me” (1 Samuel 17:45-46). Our songs are our weapons and every hallelujah is a battle cry.

Sometimes, a vast gulf can exist between what we THINK we’re doing and what we are actually accomplishing. Worship leader, when you stand in front of the church with a song on your lips this weekend, feel the tremors of expectation rattling the floor beneath your feet. Your job is so much bigger than just leading a few songs.

Harvey Relief

While I understand everyone’s desire to drive supplies into Houston, I can tell you from my experiences during Katrina that truck loads of random donations create a huge logistical mess. Sorting through your used goods to determine their usefulness and get them to the right place takes a whole infrastructure itself.

Your BEST WAY to help is by donating money to TRUSTED organizations that are already on the ground doing the work – they know exactly what supplies they need and simply need the resources to purchase them. I recommend HARVEY DISASTER RELIEF because 100% of donations go to relief efforts. The cooperative giving of churches cover the entire administrative and marketing costs of the organization and your donation can be COMPLETELY focussed on relief efforts.

I know it FEELS better to load up the car with supplies and start driving but giving to a trusted organization will actually accomplish exponentially more.